Hej :3
How are you doing? I can't believe we're in October already, this year is passing so fucking fast . Really, wtf?
But no one really cares about the fact that the time is faster now, so let's talk about the only Brazilian legend that all Brazilians actually know.
Saci (pronounced: [saˈsi] or [sɐˈsi]) is a character commonly regarded to be the best known character in Brazilian folklore. He is a one-legged black or mulato youngster with holes in the palms of his hands, who smokes a pipe and wears a magical red cap that enables him to disappear and reappear wherever he wishes (usually in the middle of a dust devil). Considered an annoying prankster in most parts of Brazil, and a potentially dangerous and malicious creature in others, he will nevertheless grant wishes to anyone who manages to trap him or steal his magic cap. However his cap is often depicted as having a bad smell, most people who claimed to have stolen this cap often say they can never wash the smell away.
An incorrigible prankster, the Saci will not cause major harm, but there is no little harm that he won't do. He will hide children's toys, set farm animals loose, tease dogs, and curse chicken eggs preventing them from hatching. In the kitchen, the Saci would spill all salt, sour the milk, burn the bean stew, and drop flies into the soup. If a popcorn kernel fails to pop, it is because the Saci cursed it. Given half a chance, he will dull the seamstress's needles, hide her thimbles, and tangle her sewing threads. If he sees a nail lying on the ground, he will turn it with the point up. In short, anything that goes wrong — in the house, or outside it — may be blamed on the Saci.
Besides disappearing or becoming invisible (often with only his red cap and the red glow of his pipe still showing), the Saci can transform himself into a Matitaperêor Matita Pereira, an elusive bird whose melancholic song seems to come from nowhere. One can escape a pursuing Saci by crossing a water stream: the Saci will not dare to cross, for then he will lose all his powers. Another way is to drop ropes full of knots; the Saci will then be compelled to stop and undo the knots. One can also try to appease him by leaving behind some cachaça, or some tobacco for his pipe.
He is fond of juggling embers or other small objects and letting them fall through the holes on his palms. An exceedingly nimble fellow, the lack of his right leg does not prevent him from bareback-riding a horse, and sitting cross-legged while puffing on his pipe (a feat comparable to the Headless Mule's gushing fire from the nostrils).
Every dust devil, says the legend, is caused by the spin-dance of an invisible Saci. One can capture him by throwing into the dust devil a rosary made of separately blessed prayer beads, or by pouncing on it with a sieve. With care, the captured Saci can be coaxed to enter a dark glass bottle, where he can be imprisoned by a cork with a cross marked on it. He can also be enslaved by stealing his cap, which is the source of his power. However, depending on the treatment he gets from his master, an enslaved Saci who regains his freedom may become either a trustworthy guardian and friend, or a devious and terrible enemy.
This indigenous character was appropriated and transformed in the 18th century by the African slaves who had been brought in large numbers to Brazil. Farm slaves would tell Saci stories to amuse and frighten the children. In this process the creature became black, his red hair metamorphosed into a red cap, and, as the African elders who usually told the tales, he came to be always smoking his clay-and-reed pipe. His name mutated into various forms, such as Saci Taperê and Sá Pereira (a common Portuguese name), and eventually Saci Pererê. While some claim that the Saci myth originated in Europe in the 13th century such as the Monopod (creature), it probably derives from the Ŷaci-ŷaterê of Tupi-Guarani mythology, a magic one-legged child with bright red hair who would spell-bind people and break the forest's silence with his loud shouts and whistles. He was originally a creature of the night, and indeed the ŷaci (jaˈsi) means "Moon" in Old Tupi.
His red cap may have been inspired on the Phrygian cap which was at one time worn by Portuguese peasants. The Saci-Pererê concept shows some syncretism with Christian elements: he bolts away when faced with crosses, leaving behind a sulphurous smell — classical attributes of the devil in Christian folklore.
The concepts of imprisoning a supernatural being in a bottle by a magically marked cork, and of forcing him to grant wishes in return of his liberty, have obvious parallels in the story of Aladdin from the Arabian Nights. This may be more than just a coincidence, since many slaves were Muslims and thus presumably familiar with the Arabian tales. Moreover, the occupation of parts of the Portuguese territory (namely in the south) by the Muslim Moors, between the years 711 and 1249, provides another possible path for Arabian influence on the Saci legend. With the purpose of countering the growing trend of adopting the Anglo-Celtic Halloween in Brazil (in Portuguese called Dia das Bruxas),the Day of the Saci was created in 2005, and it is likewise commemorated on October 31. A tongue-in-cheek Society of Saci Observers was also created.
The character remains quite popular in present-day Brazilian urban culture, mainly due to the immensely popular children's book O Saci by Monteiro Lobato (1932). In the 1960s, the one-legged gnome — by now "domesticated" into a prankish but inoffensive and lovable creature — was chosen by premier Brazilian cartoonist Ziraldo as the leading character of his comics magazine, O Saci Pererê. This original publication, the first of its genre to feature entirely "national" characters, was short-lived, but paved the way for other Brazilian cartoonists like Angeli, Laerte, and Mauricio de Sousa.
Tom Jobim's hit song Águas de Março mentions the Matita Pereira, and Nei Lopes's samba song entitled Fumo de Rolo tells a tale of a fisherman being accosted by the saci while collecting reeds in the forest. The sací demands some tobacco for his pipe, but the poor fellow has lost his.
An incorrigible prankster, the Saci will not cause major harm, but there is no little harm that he won't do. He will hide children's toys, set farm animals loose, tease dogs, and curse chicken eggs preventing them from hatching. In the kitchen, the Saci would spill all salt, sour the milk, burn the bean stew, and drop flies into the soup. If a popcorn kernel fails to pop, it is because the Saci cursed it. Given half a chance, he will dull the seamstress's needles, hide her thimbles, and tangle her sewing threads. If he sees a nail lying on the ground, he will turn it with the point up. In short, anything that goes wrong — in the house, or outside it — may be blamed on the Saci.
Besides disappearing or becoming invisible (often with only his red cap and the red glow of his pipe still showing), the Saci can transform himself into a Matitaperêor Matita Pereira, an elusive bird whose melancholic song seems to come from nowhere. One can escape a pursuing Saci by crossing a water stream: the Saci will not dare to cross, for then he will lose all his powers. Another way is to drop ropes full of knots; the Saci will then be compelled to stop and undo the knots. One can also try to appease him by leaving behind some cachaça, or some tobacco for his pipe.
He is fond of juggling embers or other small objects and letting them fall through the holes on his palms. An exceedingly nimble fellow, the lack of his right leg does not prevent him from bareback-riding a horse, and sitting cross-legged while puffing on his pipe (a feat comparable to the Headless Mule's gushing fire from the nostrils).
Every dust devil, says the legend, is caused by the spin-dance of an invisible Saci. One can capture him by throwing into the dust devil a rosary made of separately blessed prayer beads, or by pouncing on it with a sieve. With care, the captured Saci can be coaxed to enter a dark glass bottle, where he can be imprisoned by a cork with a cross marked on it. He can also be enslaved by stealing his cap, which is the source of his power. However, depending on the treatment he gets from his master, an enslaved Saci who regains his freedom may become either a trustworthy guardian and friend, or a devious and terrible enemy.
This indigenous character was appropriated and transformed in the 18th century by the African slaves who had been brought in large numbers to Brazil. Farm slaves would tell Saci stories to amuse and frighten the children. In this process the creature became black, his red hair metamorphosed into a red cap, and, as the African elders who usually told the tales, he came to be always smoking his clay-and-reed pipe. His name mutated into various forms, such as Saci Taperê and Sá Pereira (a common Portuguese name), and eventually Saci Pererê. While some claim that the Saci myth originated in Europe in the 13th century such as the Monopod (creature), it probably derives from the Ŷaci-ŷaterê of Tupi-Guarani mythology, a magic one-legged child with bright red hair who would spell-bind people and break the forest's silence with his loud shouts and whistles. He was originally a creature of the night, and indeed the ŷaci (jaˈsi) means "Moon" in Old Tupi.
His red cap may have been inspired on the Phrygian cap which was at one time worn by Portuguese peasants. The Saci-Pererê concept shows some syncretism with Christian elements: he bolts away when faced with crosses, leaving behind a sulphurous smell — classical attributes of the devil in Christian folklore.
The concepts of imprisoning a supernatural being in a bottle by a magically marked cork, and of forcing him to grant wishes in return of his liberty, have obvious parallels in the story of Aladdin from the Arabian Nights. This may be more than just a coincidence, since many slaves were Muslims and thus presumably familiar with the Arabian tales. Moreover, the occupation of parts of the Portuguese territory (namely in the south) by the Muslim Moors, between the years 711 and 1249, provides another possible path for Arabian influence on the Saci legend. With the purpose of countering the growing trend of adopting the Anglo-Celtic Halloween in Brazil (in Portuguese called Dia das Bruxas),the Day of the Saci was created in 2005, and it is likewise commemorated on October 31. A tongue-in-cheek Society of Saci Observers was also created.
The character remains quite popular in present-day Brazilian urban culture, mainly due to the immensely popular children's book O Saci by Monteiro Lobato (1932). In the 1960s, the one-legged gnome — by now "domesticated" into a prankish but inoffensive and lovable creature — was chosen by premier Brazilian cartoonist Ziraldo as the leading character of his comics magazine, O Saci Pererê. This original publication, the first of its genre to feature entirely "national" characters, was short-lived, but paved the way for other Brazilian cartoonists like Angeli, Laerte, and Mauricio de Sousa.
Tom Jobim's hit song Águas de Março mentions the Matita Pereira, and Nei Lopes's samba song entitled Fumo de Rolo tells a tale of a fisherman being accosted by the saci while collecting reeds in the forest. The sací demands some tobacco for his pipe, but the poor fellow has lost his.
Source: Wikipedia
Aaand it's done :3
Hej då
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